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Submissions from 2016

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Dorotea, Ruy Pérez, and Zoraida: Modeling the Art of Paradoxy in a Binary World, Christi Garst-Santos

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A Patchwork Family: The Struggle for Survival in Pölsler’s Austrian Movie Die Wand, Eckhard Rolz

Submissions from 2015

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Ghost-Watching American Modernity: Haunting, Landscape, and the Hemispheric Imagination, by María del Pilar Blanco (Review), Jose J. Alvarez

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L’Amour est dans le pré: Cultural Representations and Social Hierarchisation of Farmers, Marie-Pierre Caquot-Baggett and Alexis Annes

Submissions from 2014

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Posthumous Voices in the Antología de la literatura fantástica: Santiago Dabove, Horacio Quiroga, and Edgar Allan Poe, Jose J. Alvarez

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Engendering Childhood: The Autobiographical Novel in Eighteenth-Century German Literature, Eckhard Rolz

Submissions from 2013

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Redefining France from the Border: (Im)migration and National Identity in Olivier Baroux’s L’Italien, Marie-Pierre Caquot-Baggett

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Review of The Baker Who Pretended to Be King of Portugal by Ruth MacKay, Christine Garst-Santos

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Mama’s Boy is Daddy’s Girl: Eccentric Gender Performance in Johann Heinrich Jung-Stilling's Heinrich Stillings Jugend, Jünglingsjahre, Wanderschaft und häusliches Leben, Eckhard Rolz

Submissions from 2012

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“La Modernización y sus Fantasmas: Violencia, Exceso y Ritual en ‘La Gata de Mi Madre’ de Carlos Fuentes, Jose J. Alvarez

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RAANAN REIN (coord.): Más allá del Medio Oriente. Las diásporas judía y árabe en América Latina., Luz Angélica Kirschner

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A New Frontier in the Eighteenth Century: Karl Philipp Moritz and the Exploration of the Human Mind, Eckhard Rolz

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His Name is Not Tadzio, or Death in Marseilles: Anna Seghers’s Transit, Eckhard Rolz

Submissions from 2011

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Dorotea’s Displacement: Performing the Possible in Early Modern Spain, Christine Garst-Santos

Submissions from 2009

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It Takes A Village…: Transgressing Rural Geographies In Sinapi's Camping à la ferme, Marie-Pierre Caquot-Baggett