Redefining France from the Border: (Im)migration and National Identity in Olivier Baroux’s L’Italien
Version of Record
France, cinema, immigration, national identity, border
In the context of a shift in focus from banlieues to borders and national identity in French politics under Sarkozy, this article investigates the concurrent cinematic move to France's geographical and social periphery in L’Italien (2010). In this film set in Nice, Mourad the main character has to suppress hisAlgérianité and become “Dino the Italian” to secure a job promotion and the Frenchness his French passport should have already granted him. This article focuses on representations of the border as a site of encounter between the historical, républicain center of France and its geographical, ethnic periphery. An analysis of specific scenes reveals that L’Italien thematizes the border and constructs Mourad/Dino as a border crossing agent to question the ethnic and historical definitions of nationhood in contemporary France. More specifically, Baroux's use of France's outer geographical border exposes the internalfracture coloniale that divides modern France into its hexagonal present and its colonial past. Ultimately, through geographical and thematic liminality, L’Italien engages in a dialogue between immigration and national identity that aims to incorporate past and present immigration.
Sites: The Journal of Twentieth-Century/Contemporary French Studies revue d'études francais
DOI of Published Version
Taylor and Francis
Caquot-Baggett, Marie-Pierre, "Redefining France from the Border: (Im)migration and National Identity in Olivier Baroux’s L’Italien" (2013). School of American and Global Studies Faculty Publications with a Focus on Modern Languages and Global Studies. 12.