Document Type

Article

Publication Version

Version of Record

Publication Date

2016

Keywords

Austrian film, Die Wand, Martina Gedeck, Marlen Haushofer, film awards

Abstract

The movie Die Wand (2013) was hugely successful in the German-speaking world and once dubbed, also in other countries. It is often described as a film depicting a woman living in utter isolation cut off from any social contact. I, however, argue that the protagonist, though she is without any human contact, creates a family-like order with the animals that have flocked to her. She is the dominant mother figure who takes care of her “children” and defends them when needed.

Publication Title

Journal of Advance Research in Humanities and Social Science

Volume

2

Issue

4

First Page

42

Last Page

46

Pages

5

Format

application/pdf

Language

en

Publisher

JIAATS

Rights

Copyright © 2016 JIAATS

Comments

This work is from Journal of Advanced Research in Humanities and Social Science, Vol. 2, Issue 4; (2016) 42-46.

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