Document Type

Article

Publication Version

Version of Record

Publication Date

2012

Abstract

Anna Seghers’s novel Transit was widely praised by critics, especially in the former German Democratic Republic. Heinrich Böll even regards it as the most beautiful novel Anna Seghers ever wrote. A close analysis of the text, however, reveals many lose ends, one-dimensional characters, stereotypical descriptions of people, and subjects who act irrationally and strange. It is a platform for preaching her political views intermixed with Greek Mythology and Christian imagery. In addition, she borrows heavily from Thomas Mann’s Death in Venice, but fails to reach the sophistication Mann’s novel exhibits.

Publication Title

Journal of Literature, Language and Linguistics

Volume

4

Issue

1

Pages

10

Format

application/pdf

Language

en

Publisher

Scientific Journal International

Rights

Copyright © 2012 Eckhard Rolz. All rights reserved.

Comments

This work was published in Journal of Literature, Language and Linguistics, 3.2. Volume 4, Issue 1, (2012) 1-10.

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